Ok, I’m just going to lead with it: in this piece, I leaned way too heavily on my inspiration from Pierre Michel (warning: some of his work contains artistic nudity). I was actually surprised (and embarrassed) by how much it looks like his “Fire Flower,” since certain ideas I thought were original were actually straight copies from my subconscious.  Give the credit to him on this one.

Having said all that, this is the promo for the LifeChurch.tv October message series. Our main goals were to capitalize on the feel of the fall season while capturing the power and awe of the Holy Spirit, all without getting too creepy.

Initially, we wanted to go with a stark white look (which, in hindsight, would have avoided the similarity issue), but it just didn’t feel “October.” The fire’s contrast with the black looked more powerful in the print art, so I changed direction.

All in all, thanks to an incredible script by Kevin Ely and casting by Beth Johnson, I think it succeeds in its objectives. I just wish I didn’t feel like a thief.

How about you? Have you ever created something, only to discover that it wasn’t nearly as original as you’d imagined?

I was honored to have been asked by the TUTS+ network to create a tutorial for their AETUTS+ site. The TUTS+ network is an incredible resource for designers of all types, with resources for After Effects, Photoshop, Illustrator, 3D software, and more.

This was my first go at a recorded tutorial, so I’d love to hear your feedback…unless it’s about my Oklahoma accent, because I don’t have one.

Here’s the AtM’09 animated promo as promised.

It turns out that it’s pretty difficult to represent a lot of movie genres without using people. The result is that this ends up being a little sci-fi/action heavy (which is fine by my inner geek). I just can’t believe I didn’t add a Western element…

Had a lot of fun with this. Cinema4D has made the transition from Lightwave for 3D animation a smooth one. Here’s a quick capture of some of the process. As you can see, the whole project took about 2 minutes to complete. I’m that fast.

(Unfortunately, Previous Bryan didn’t think to start capturing until after a great deal had been done. Man, that guy’s an idiot sometimes.)

*edit: To see the print version of this art, LICK HERE. <–(This was a typo, but I found it way too funny to correct)

Here’s a promo for the series “Elijah” at LifeChurch.tv. When concepting, we ultimately decided that one great symbol of God’s provision, and of Elijah’s faith, would be found in the ravens that God sent to provide food for Elijah in the wilderness. With that concept, I couldn’t help but lean to Hitchcock for inspiration.

And for a little “behind-the-scenes” action, here’s a quick peek at the steps in the process, with Photoshop, Cinema4D and After Effects using Particular.

While working on a freelance project, I hit a bit of a block and started to search through my delicious bookmarks, when I realized how scattered all of my sources of inspiration were. I decided a collection of some of my favorites might be a good thing to have, so here it is. Not necessarily my top five, but five of my favorites, in no order.

1. NATIONAL TELEVISION – They definitely have their own style and I love it. It’s not the typical broadcast feel, and their use of color alone is inspiring. Of course, I love the illustration-based stuff as well. Don’t missed the Honda-Drive Every Drop piece.

2. HORNET, INC. – I don’t really know much about these guys except that they’re in NYC and they do great work. I really dig the Ronald McDonald House (where they mix an array of different styles in one piece and it somehow works) and British Gas campaigns.

3. NERVO – What do you expect from a Nando Costa motion design house? It’s incredible stuff. Some of my favorites are the FOX movies and Zune packages, but check them all out.

4. BELIEF – based in Los Angeles and one of my first faves. They’ve got some great insight into client relationships and creative control. They basically refuse to do anything they don’t think is a good idea, for their clients’ sake, as well as their own.

5. THE RONIN – While not actually a design house, this guy makes the cut for his use of graphics in video. He’s obviously more of a film guy than a flashy, 412-layers-in-After-Effects kind of guy, but that’s what makes him important to include: he blends the media incredibly well. Besides, on one project, he actually built his text, real world, and shot it (watch to the end). Very classy stuff.

The new opener for our weekend experience, which is sequenced to the live band.

We’ve been asked more and more to represent the fact that we broadcast to the entire world each week, so here it is.
The photos are stock this time, since my request to travel the globe and grab our own shots was denied. Party poopers.

Created with After Effects. Photos from stock.xchng.